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loose leaf poetry

Miscellaneous stand-alone poems I have written throughout the years.

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Featured poems:

i called my mother last week

palimpsest

in water without home

tessellation

ecology

i called my mother last week

mentions (implied and not) of guns, covid, being closeted, death

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recently i’ve been calling my mother

who seldom picks up before the twenty-third ring

she asks me if i meditated this morning

as i balance my phone against my computer screen

yes, for ten minutes; no, i’ve been staying inside —

to breathe right now is a sure way to die.

 

i roll through expressions, all six faces of a die

till the line connects and the dimples chip off, because my mother

understands, or at least she’ll try — deep down inside

she knows her child concocts too much despairing.

today i saw a gunman, i tell her; he spoke to us through a screen

and i was worried, and i was tired, and i slept twelve hours into the morning.

 

the future does not beseech me for early mourning

but i’m worried sick, i’m worried i’m sick, old habits die

hard. i tell her i’m still waiting for my results from the screen-

ing; she asks, why worry, as if she is the child and i the mother

because it’s contagious, i say. because i kissed someone. my eyes wring

out what my lips fail to utter; they’re not a man. one day i’ll tell her the inside

 

scoop: how is it that all of these events coincide?

i watch opaque lamplight homogenize with the light yolk morning

force myself out of bed, embellish my statue, don silver vines of ring

on each finger, each lent hand, each opportunity i left to die

congealing guilt of the oil spill i’ve let leak; i wonder if my mother

feels this, too, or if she puts her loneliness through a sieve to screen.

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i try out a schedule: lather sunscreen

under my eyes in case the rays let themselves inside

my room; water my plant, whose leaves are red with Mother

Nature’s rage. i got breakfast this morning,

bagel with arugula and lox, are you proud? to die

must be simpler. my devil sings as my angel gives my tree another ring.

 

time is my most neglected offering

she asks me if it’s too much for me here, wrinkles pixelated on the screen

don’t worry, i say, i’m too much of a coward to die

pinky calluses and hangnail scars mark my escapades inside

this ventricular cage: i claw, i do, or i will tomorrow morning,

i sigh — for nothing’s left to smother.

 

but she laughs because ‘mother’ is too formal; i let her voice ring

as my thumb leaves greasy prints on the morning paper of my cellular screen

forgetting the berries i’ve left to die, that mold along my fridge’s inside. 

palimpsest

a poem on stretch marks and growth

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they appear when i butterfly my legs

tattooed in lemon juice and only visible

to magicians with eyes under their sleeves.

i spot them like contrails,

or footsteps, or snail dew —

things you only notice by looking behind

 

mother warned me of tattoos

but these didn’t hurt, only shone

crevices that are mine to open

like when i knead my thumb into songpyeon

and honey seeps under my opaque nail

there can only be good things out of this

my limbs drip in revelation

 

here is my home; i will give you a tour

lead you down the hallway to the pencil lines

where mother laid her hand on my head

and marked 100 cm, then 4 ft

a mixture of metrics for the archives

 

the walls are renovated, but i can still show you them now

trace your index along my thigh

there, behind the cream white door

the bumpy grooves of paint that smooth out your wary skin

these are my new pencil lines

can you feel that i’ve grown?

 

they look new, against ambered skin

nature preserves me in its mason jar

remnants of bloom in codified nicks

 

they remind me of gills;

i linger here to breathe

in water without home

somehow this moment breathes more silence

than the lullaby of your voicemail when you went away

the salt and sand is varnished on my soles,

and you, sweet, the cracks they avoid on the sidewalk

 

an hour ago you joined me by the tide

your eyes a stage manager monitoring the dawn on standby

how did we get here? i asked as kelp slicked my skin

by bus, you said, though that’s not what i meant

in, out, in

we watched ourselves in the water

the sinking foamy residue afraid to coax us awake

 

now an early car goes by

spotlighting your hands, your jeans, the dried mousse in your hair

i wait for you to crack me open

like the chestnuts you used to feed me

mouth tender under summer tension

 

but instead you smear the water off my cheek

that i wish were sorrowed tears

and not what they are,

my collectibles from the sea

tessellation
tessellation

i phase toward you / and show you a photo of a denser me / compact and cradled by my father / whose profile parallels mine, minus a crooked nose, man-made / for though i’ve queered my heart / i kept my face / up during the museum tour of our ancestors’ shadows / where the hearts of his halmoni’s children divide across the parallel / and splay there, parsed / with cold orange canker sore / you left, or maybe it was the caffeine / that i prescribed a shortage of / time for you, though i don’t ever mean it / though it happens again / that we sprawl stuck to the tendons, smaller but scabbing display / of fraying strings / of fazing the melody / refrain / da capo. if you could go back in time /

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where would you go? / someone i once loved said she’d join my war / to chant in dwindling enmity, love yourself / till it crushes you / and then i will prune your atriums / scour a space to say, maybe / i’m always preparing to try / your hand pressed to my sinking frame / a brace to say, maybe / we are all malleable / we are still children / we leave clothes damp when we hug each other / are we doing this correctly? / sculpted hearts clipped to the clothesline / curdling in warm, spring day sweat / for later use, for greater give / into slumber / where our crassness croons to die / sleep with me yesterday / limbs stretched out / you lie facing the ground / while i face up / facing each other / while facing away / /

ecology

youth is a poem our parents struggle to decipher but praise like they understand, taking pictures as our feet leave divots in the garden and wells in the shore; chew on the sand eroded in nails that tire from towers built, shovel and pail exchanged for solitary brevity; we ramble and paddle and ricochet through the tides we swear we’d drown by — i think i buried my castle in the mold that it came in — youth is the moat you dig before learning of the drawbridge.

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